Anne Sarachan (b. 1990, Philadelphia) takes form as collage, installation, drawing, public intervention, and video. Sarachan’s practice is an inquiry into the construction of knowledges, tending toward the alogical and the intimate. Her image/object re-imaginings are inspired by the right-to-repair movement, the unfinished project of dada, and the lineage of artists pursuing new (or ancient) language. She completed a BFA in Painting from Washington University in St. Louis, with a minor in History, then worked for years out in the world, and is currently pursuing an MFA from Virginia Commonwealth University in Sculpture and Extended Media.